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Like it or not, Bellamy, Wolstenholme and drummer Dominic Howard know how to write deceptively catchy earworms and triumphant, Technicolor melodies - even if they’re usually clothed in enough pomp and circumstance for five royal weddings. Yet even these, along with Survival’ s hyperventilating rhythms, will start to grow on you after repeated listens. The duds, however, are few and far between on this 13-track effort - namely bassist Chris Wolstenholme’s dreary stabs at personal catharsis, Save Me and Liquid State, and The 2nd Law: Unsustainable, the dreaded dubstep track used in the video teaser. Over the top, of course, The 2nd Law is - as are all of Muse’s albums and concerts. Or click on the album image if you prefer Amazon.This advertisement has not loaded yet, but your article continues below.
Want to preview/buy on iTunes? Click on the widget below. And I find it futile to resist a good groove. In the end, ‘ The 2nd Law” may alienate old fans with its dance elements, but I always admire a band that tries something new. Occasionally they’re burdened by pomposity.īassist Chris Wolstenholme sings 2 songs, and he proves a capable vocalist, even if he can’t match Bellamy’s pipes. “ Save Me” and “ Liquid State” chronicle his substance abuse, with the latter featuring a pummeling riff ala QOTSA. But whereas they are intentionally comedic, Muse can be the inverse. They share much in common with Muse in that they love Queen, have crazy high falsettos and are unashamedly grandiose. I recently reviewed the Darkness’s new album. Its super seriousness lyrics are unintentionally comedic “ I will light the fuse! I will never lose!”
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It has no chorus, making it feel like “ We Are The Champions” minus full liftoff. The Summer Olympics theme “Survival” is also included, and it remains one big awkward oddity. Then it breaks into a stuttering squeaking breakbeat. “Follow Me”, Bellamy’s ode to his son is tailor-made for the dance floor and ‘ The 2nd Law: Unsustainable” is wicked fun, starting off with a disembodied female vocal spouting conspiracy theories over an orchestral churn ala “The Dark Knight”. Many fans are uneasy with their embracement of dub step, but they make it work. “Explorers” brings back the Queen though with a gorgeous melody (think “Love Of My Life” with an ecological theme). The shifting tempos and tricky guitar figure from “ Animals” sounds like vintage Radiohead, right down to its bleak humor ‘ Why don’t you kill yourself and do us all a favor”. You wind up liking it despite its inherent cheesiness. But damned if it doesn’t get lodged in your brain. It has that bright brass laced Euro-funk that typified when prog legends like Genesis, Yes and Peter Gabriel shifted towards radio friendly pop in the 80’s. “ Panic Station” is a love it or hate it track. A subtle dubstep beat meshes nicely with pulsating 80’s synths, and Bellamy’s clear, high falsetto sounds big and bright. Next up is “ Madness” which sounds like a mashup of Queen’s “ I Want To Break Free” and U2’s “ Numb“.
Imagine the unlikely fusion of a bottom heavy Black Sabbath riff with the James Bond theme (indeed they’re pushing for it to be the Bond theme for ‘Skyfall‘, I vote yes!). It starts with ‘ Supremacy’, which is one of the strongest tracks. But don’t expect all of it to sink in on the first listen. Part of a band’s staying power is keeping their inherent sound while expanding their sonic repertoire. So how does it stack up against their back catalogue? It just takes a while to learn the steps.Īt long last the new Muse album ‘ The 2nd Law‘ is upon us. ‘The 2nd Law” proves Muse can make you dance.
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